Jenna Lee reclaims language from the colonial archive

In her first solo exhibition in WA, Larrakia artist Jenna Lee transforms dictionaries, paper and colonial texts to explore language, identity and the survival of culture.
Jenna Lee's Written in Stone & Seed & Star is her first solo exhibition in Western Australia. (Photo: James Westland/Craft Victoria).

Artist Jenna Lee is bringing her first solo exhibition in Western Australia to ECU Gallery, using paper, dictionaries and colonial texts to explore Larrakia language and identity.

A Gulumerridjin, Wardaman and KarraJarri woman, with Japanese, Chinese, Filipino, Irish and Scottish ancestry, Lee’s Written in Stone & Seed & Star challenges the way Aboriginal languages have historically been recorded and represented.

Lee deconstructs colonial texts and repurposes the paper into sculptures, challenging the way Aboriginal languages and cultures have historically been recorded.

 “I work with a book called Aboriginal Words and Place Names, which is a dictionary of Aboriginal words that doesn’t say where our words come from.”  

Lee said publications that group words from different Aboriginal languages together can obscure the diversity and origins of those languages.

“We had over 250 languages and over 850 dialects. To suggest that it’s all kind of one language is incorrect,” she said.  

Jenna Lee makes paper sculptures from old “Aboriginal” dictionaries. (Photo Ra Castel).

For Lee, treating “Aboriginal” as a single language ignores that linguistic diversity.

“It becomes quite a useless book if you were attempting to learn ‘Aboriginal’ you can’t –  that’s not a thing,” she said.  

Lee’s practice was also shaped by her family’s mixed cultural heritage and her Larrakia upbringing.

 “One of the things that I am very fortunate being Larrakia, is one of the first groups in Australia to get native title.”  

 “A lot of our like cultural upbringing through my dad was strong and immediate and always present,” she said.  

 Lee reflected on how her family home was one that fostered memory of culture within it.  

“The kind of house we grew up in really reflected our mixed cultures.”  

Reclaiming language through paper

Lee’s relationship with paper began at home, where her mother encouraged creativity through paper craft.

 “My mum really fostered creativity within us and one of the things that she did was paper craft.”

She said paper eventually became a material through which she could honour the different parts of her heritage.

“It was a really perfect material to use to honour all heritages, I think was more authentic to me.” 

Lee also uses graphic design and photography in her work and plays on colonial visualisations of wealth. 

Jenna Lee photographed by her art, taken by Ra Castel
Jenna Lee’s work will be on display at the Edith Cowan University (ECU) Gallery until November 27. (Photo: Ra Castel).

‘The resilience of language and culture’

ECU Senior Curator Dr Alix Beattie said her role was to present artists’ work in ways that helped audiences connect with their ideas.

“My role is to bring the artists’ vision to life and shaping a narrative that audiences can connect to.

“I love artists who make art with passion and want to engage people,” she said.

Dr Beattie added, Jenna Lee’s works are more than just art. She believes her work is a way of preserving culture and sharing stories.  

“These stories and histories are important for people to experience and this is why Jenna was invited to exhibit at ECU Gallery as her works show the resilience of language and culture.”

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